Fast & Furious Presents: Hobbs & Shaw is a movie that will air on 2019-08-01 which is 136 Minutes duration, will star Dwayne Johnson, Jason Statham, Idris Elba, Vanessa Kirby, Eiza González, Eddie Marsan, Stephanie Vogt, David Mumeni, Axel Nu, Lampros Kalfuntzos. This film is genre Action.
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is a site for free movies to stream Fast & Furious Presents: Hobbs & Shaw online movies in HD quality. syinopsis this film A spinoff of The Fate of the Furious, focusing on Johnson's US Diplomatic Security Agent Luke Hobbs forming an unlikely alliance with Statham's Deckard Shaw. By this point in the franchise, ‘Fast & Furious’ fans will know exactly what to expect from ‘Hobbs and Shaw’, and there’s just enough here that's fresh enough to warrant taking another ride with the series.
- Ashley Teresa

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Here’s the thing about the Fast & Furious franchise: it can be dumb fun. Every movie has the right to be entertaining even if it completely disregards physics and logic… As long as it establishes its tone from the start. You can’t make an action film where the main characters survive basically everything they shouldn’t and take everything seriously. It’s not that you can’t have that mix of tones (Furious 7 did it brilliantly), but that’s reserved for some of the best movies of the year since it’s not easy (at all) to balance so many different things. Hobbs & Shaw sets its tone in the first 10 minutes, and everyone knows what they’re getting themselves into. However, it didn’t quite work for me this time…

The Fast & Furious saga is an undeniable success, even more in my country where it constantly breaks box-office records. It possesses everything a popcorn blockbuster should have: tons of action (car chases, explosions, fights, shootouts), easy-to-follow plot, and simple character development. There’s no problem in leaving your brain at the entrance of the theater for a couple of hours and just have fun. Of course, Hobbs & Shaw is ridiculous. It’s completely absurd, it has no sense of logic, and it’s unbelievable how many physics-defying sequences occur. But that’s exactly what they establish in those first few minutes, so people just need to sit comfortably and eat that whole bag of popcorn while watching the most ludicrous action on-screen.

So, if the tone is well-balanced, why didn’t I enjoy it as much as the rest? People seem to be having tremendous fun (even critics who usually demolish this type of films are liking it), so I guess I’m in the minority here, but I just found the action pretty underwhelming, and the comedy was way off for me. Granted, there are huge set pieces, and there are a couple of great action scenes, especially a motorbike-car chase between Brixton, Hobbs, and Shaw. True, there are a couple of laughs that I couldn’t contain due to how amazing Statham and Johnson’s chemistry is. Nevertheless, overall, I just don’t think it’s enough.

First of all, my main issue with the story: Brixton. Idris Elba is incredible as always, and I really want him to be the next James Bond. However, his character is so poorly written and so horribly explored that I wonder why they made him an enhanced machine with superpowers. Literally, there’s no difference between him and the other two main characters, which ultimately destroys the “superhero” vibe Elba should have. That’s the problem with having such an absurd movie: if your “heroes” are undefeatable due to their enormous plot armor, how is your “superpowered villain” different than them? If an explosion goes off with the three of them close, why do Hobbs and Shaw survive in the same way Brixton does? How does a punch from a “black Superman” has the same impact as a punch from the other two?

Then, the comedy. It’s not like I disliked Statham and Johnson bantering for five straight minutes in three different scenes. It’s just too long, and not all of the jokes land. The film itself is way too long, just over two hours. If I didn’t know about the whole Samoa sequence from occasionally seeing it on a TV spot, I would have believed the movie was about to end when it started its third act. It feels like it’s going to end, but then there’s a whole other massive action set piece to show off. For the first time in a long, long time, I almost fell asleep during the transition from the second-to-last to the last action moment. The action is also very disappointing having in mind David Leitch is directing. Too many quick cuts, and way too choppy.

Finally, there’s an attempt at the start of a romance that I won’t spoil, but … It’s not like it’s forced because it actually isn’t. It follows a logical path, characters don’t say stupid stuff to each other, and it was surprisingly being a good way of stopping to breathe and relax away from all the action. However, as the film reaches its conclusion, they ditch it altogether and never address it anymore. There’s even a line similar to “I’ll let you have a kiss tomorrow if we’re still alive”, but they never go there again. It’s like it never happened… Why? The only thing that was truly being logical and emotionally compelling is completely ignored by the end. That’s disappointing.

I don’t want to be too harsh on the movie because I do understand how entertaining and fun it might be. I’m sure audiences will love it, and fans of the franchise will love it even more. The chemistry of the cast is palpable, and everyone is terrific. Dwayne Johnson and Jason Statham are awesome as the action superstars, and they’re definitely the main source of entertainment. Vanessa Kirby is also pretty great, and I have to commend the film for keeping two spectacular cameos under wraps. You won’t believe who’s in this movie as well. There are still a couple of cool action sequences, and I did laugh more than a couple of times, so I guess it isn’t as bad as this review might transmit.

I know I’m in the minority, so I recommend all of you to go watch it and judge it for yourselves. If you enjoy absurdity, ridiculousness, and over-the-top action, as well as cheesy comedy, Hobbs & Shaw might be perfect for you. It didn’t really work for me, though. The comedy was not as good as I expected, the action is not that captivating, and Brixton is such a horribly written and unexplored character, that I kept feeling frustrated every time an action sequence ended. Go for the huge set pieces and the dumb fun, stay for the amazing cast’s chemistry.
PS: if you haven’t watched Game Of Thrones by now, heavy spoilers in this film. You’ve been warned.

Rating: C

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Lucy in the Sky is a movie that will air on 2019-09-20 which is 124 Minutes duration, will star Natalie Portman, Jon Hamm, Zazie Beetz, Dan Stevens, Ellen Burstyn, Colman Domingo, Jeremiah Birkett, Tig Notaro, Joseph Williamson, Nick Offerman. This film is genre Drama, Science Fiction.
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is a site for free movies to stream Lucy in the Sky online movies in HD quality. syinopsis this film Astronaut Lucy Cola returns to Earth after a transcendent experience during a mission to space – and begins to lose touch with reality in a world that now seems too small.

This is a site for free movies to stream Lucy in the Sky online movies in HD quality. This film site has a clean design and good navigation so that every new internet user can use this site easily without problems. This is one of the great sites for watching new movies online for free. You can find your favorite movie by using the search bar also you can search by genre. Here you are find to Stream Lucy in the Sky best HD movie online. Or you want Watch Lucy in the Sky (2019) : movie WEB-DL free. Astronaut Lucy Cola returns to Earth after a transcendent experience during a mission to space – and begins to lose touch with reality in a world that now seems too small.. Watch best Lucy in the Sky HD movie online, Quality Lucy in the Sky Movie HD, Lucy in the Sky movie DVDSCR free, download Lucy in the Sky movie DVDRip, watch Lucy in the Sky movie BluRay, Lucy in the Sky movie tv format, download Lucy in the Sky movie 4kUHD, movie Lucy in the Sky WEB-DL free, best movie Lucy in the Sky HDTV to watch, download movie Lucy in the Sky HDTVRip, streaming Lucy in the Sky movie fullHD, download Lucy in the Sky WEBRip movie, download Lucy in the Sky BluRay movie, watch Lucy in the Sky 1080 movie, HDTS movie Lucy in the Sky free, download Lucy in the Sky movie DVD, Streaming Lucy in the Sky movie WEB-DL, Download Lucy in the Sky BRRIP movie, download Lucy in the Sky mp4 movie.

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Maleficent: Mistress of Evil is a movie that will air on 2019-10-16 which is duration, will star Angelina Jolie, Elle Fanning, Michelle Pfeiffer, Harris Dickinson, Chiwetel Ejiofor, Ed Skrein, David Gyasi, Imelda Staunton, Lesley Manville, Jenn Murray. This film is genre Fantasy, Adventure, Family.
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is a site for free movies to stream Maleficent: Mistress of Evil online movies in HD quality. syinopsis this film Maleficent and her goddaughter Aurora begin to question the complex family ties that bind them as they are pulled in different directions by impending nuptials, unexpected allies, and dark new forces at play.

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Shazam! is a movie that will air on 2019-03-23 which is 132 Minutes duration, will star Zachary Levi, Asher Angel, Mark Strong, Jack Dylan Grazer, Djimon Hounsou, Faithe Herman, Grace Fulton, Ian Chen, Jovan Armand, Marta Milans. This film is genre Action, Comedy, Fantasy.

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is a site for free movies to stream Shazam! online movies in HD quality. syinopsis this film A boy is given the ability to become an adult superhero in times of need with a single magic word. Growing up I was a regular viewer of the Shazam and Isis “Super Power Hour” on television. Back before the days of mega-budgeted Super Hero movies; we had to content ourselves with cartoons and low budget television offerings which did their best to capture the look and action of comic characters within the budget and technology limits they had to deal with.
Warner Bros. has brought their latest DC hero to the big screen with “Shazam!” and it looks to launch a new franchise for the studio and build on the success of “Wonder Woman” and “Aquaman” following some earlier disappointments with their planned hero franchise films.
The film follows the story of young Billy Batson (Asher Angel), who has grown up in and fled several Foster Homes after being lost at a Carnival years earlier and unable to find his mother. Billy has never stopped trying to find her and even takes extreme measures to try to find her that has gotten him in trouble with the law.
While trying to stick up for a family member at his latest Foster Home; Billy is forced to flee from some local goons and finds himself facing an ancient Wizard (Djimon Honsou; who tells him he will now have superior powers when he speaks his name as he is now a guardian against the forces of evil.
Billy does not believe this but upon uttering the name; he transforms into a powerful hero in adult form. Zach Levi plays the title hero and soon finds himself eager to test his new powers and his Super Hero obsessed Foster Brother is more than happy to mentor him and make all sorts of viral videos of his efforts and training.
Their efforts soon draw the attention of an evil individual (Mark Strong), who covets the power Billy has for himself as along with the Seven Deadly Sins; he looks to become an unstoppable force for evil and sets out to destroy all that stands in his way.
The film is aimed more for a younger audience as much of the humor is squarely focused on Middle School level jokes. There are more than a few references to “Big” along the way which does sum up a good portion of the backstory as when he is in hero form; the young boy without a family is a popular and dynamic adult.
In many ways this was one of the more odd aspects of the film. Billy is a dour and untrusting individual most of the time; however when he is hero form he is a jovial and goofy individual who acts like a teenager. I could see an increase in confidence but it is odd considering that they are the same person.
Levi is very energetic in the part and goes all in and he does a great job of conveying a kid in a man’s body. The biggest issue with the film is that there is mostly a lot of humor aimed at a much younger audience and large gaps with minimal action which made sitting through numerous childish antics a bit tedious at times.
Despite this; the film was entertaining and one of the better adaptions of a comic. The door is wide open for future adventures and I look forward to seeing what they come up with next.
3.5 stars out of 5
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First of all, I didn’t know anything about Shazam. What his powers were, what story did he have … Basically, I didn’t know who he was. This is what David F. Sandberg‘s movie does best: introduce the audience to a new DC superhero, by delivering an uncommonly well-structured comic-book screenplay, packed with laughter and entertaining action. Zachary Levi is undoubtedly the standout! Not only is he hilarious, but he perfectly captures the childlike personality that a kid-turned-adult would have. His expressions of absolute surprise and awe of his powers are extremely precious, and he effortlessly carries the more lighthearted tone on his shoulders.

Asher Angel is brilliant as Billy Batson. His character has a notably well-written and well-explored backstory, which eventually justifies the person he has become. It’s the most emotional and heartfelt subplot of the film (probably the only one, really), and Henry Gayden did a fantastic job writing its script. It doesn’t feel cliche or over-the-top, it actually feels grounded and quite realistic. Jack Dylan Grazer plays his best friend, Freddy Freeman, and he’s the primary source of self-aware comedy. He knows all the cliches regarding superheroes and supervillains, so his jokes constantly land and play seamlessly into the last act.

Usually, villains tend to be hollow characters with paper-thin motivations, but since a few years ago, this issue has gradually been corrected. The latest comic-book movies have incredibly well-developed villains, who carry a compelling backstory that entirely supports their beliefs, but not their actions. This type of villains work because not only the audience can understand where they come from, but in some cases, they can even connect with and care about them. Dr. Thaddeus Sivana is not exactly someone the audience ends up caring about, but his backstory is emotionally powerful enough for us to understand where his motivations originate from. Mark Strong delivers a menacing performance, and his costume/make-up looks pretty badass.

The first act is kind of a mixed bag. It starts in a very captivating way, and once you understand who’s the character at the center, it gets even better. However, the film’s tone takes long to establish itself, and the beginning of the movie struggles to find which jokes land and which don’t. The humor is on-point throughout the rest of the runtime, but those first few jokes not so much, which threw me off a little bit. The action sequences are amazing, and the sound design allows the audience to feel every punch, kick, a fall on the ground or a Superman-ish take-off. The fight sequences are seamlessly edited, and you know how much I love well-choreographed or well-edited action scenes.

Shazam‘s search for his powers provides the funniest and most entertaining moments of the film. Each test that he puts himself through is both hilarious and informative. This is another aspect of the screenplay I love so much: they had several ideas of how to approach this segment, and they nailed every single execution. From the pop-culture references to the hero-villain cliches, Sandberg did a terrific job exploring those concepts, and he executed them flawlessly. The best jokes are the ones that can be funny on different levels for different people. If people can laugh at a particular scene solely due to it, but other people can laugh even more because that moment means so much more to them, that’s when you know a joke is perfect. Shazam is not only funny for comic-book fans, everyone can leave the theater entertained and jolly.

It’s still a straightforward superhero movie. There’s still a villain to defeat, and the film goes through all of the cliches that it makes so much fun of. Everyone knows how it’s going to develop, plot point by plot point, a few minutes in. Not that I consider this a flaw, it’s just … It is what it is. The final battle drags too much, and it keeps ending and restarting every five minutes. It does have a pretty cool conclusion, but it takes a bit too long to get there. Also, and I know that this is one of those logical nitpicks that CinemaSins are known for digging, but the flashbacks and time-jumps could have received better treatment concerning the age of the characters. One thing is to think that the characters would look much older/younger than what they display on-screen, but when they make them look exactly the same in the span of 30/40 years … Not so acceptable.

All in all, Shazam is a blast! It’s the most entertaining movie I’ve seen so far this year, and it’s freaking hilarious. It continues the comic-book films trend to change how villains are written, by delivering a well-developed bad guy, menacingly portrayed by Mark Strong. Every member of the cast gives a strong performance, but Zachary Levi steals the show. His whimsical attitude, reckless personality, and rich facial expressions are guaranteed to entertain you for most of the runtime. Asher Angel and Jack Dylan Grazer are outstanding as the young kids, and the former’s backstory carries emotional impact which passes on to the big guy he transforms himself into.

The action is packed with beautifully-edited sequences, powerful sound design, and cool, unique moments, but the supposedly climactic final battle drags too much. The first act struggles to find its rhythm and its tone, but once it gets going, it’s an exceptional journey. The best praise I can give Sandberg‘s movie is that I didn’t know anything about Shazam before entering the theater, and now I can’t wait for its sequel. Well-directed, well-written and remarkably entertaining. What more can I ask? Go see it!

Rating: B+
It's entertaining, it has heart, and it's joyful. It has been proven time and time again that these things are what is required for a good Superhero film.
After the spiderman movies, this has to be the most annoying superhero movie I've seen to date. It took nearly an hour for the movie to actually get interesting and during that whole time one is treated to 2 super annoying teenagers.

Honestly, I'm glad I didn't go to the cinema for this otherwise I'd constantly be reaching for remote to press the fast forward button. About the only redeeming quality of this film was the picture and acceptable acting from everybody involved. Pity everything else was bad.

There's no way I'd willingy watch this again. No way.
Definitely has its moments, bit in total the movie feels inconsistent which kills most of the buzz. It switches from rather serious scenes where people actually get hurt to PG-6 compatible simple humor back and forth a few times.
With ever transformation the whole character changes, Shazam acting more like a 5 Year old than the 15 Year old Teenager he's supposed to be.
Freddy sometimes acts downright malicious, which is not a problem per se except that everyone else doesn't really seem to be bothered much by it.

Still not a bad take on the comic, but it feels inconsistent and left me wondering what age the target audience is supposed to be ...
The titular Shazam and has alter-ego Billy Batson feel like completely different characters. This is not unheard of for a superhero by any stretch, but when accompanied by a change of actor, it's a pretty jarring situation. I also have a hard time figuring out who the target demographic is with this thing. Seems all over the place.

But! at the end of the day, the most important question is "Did I enjoy _Shazam!_?" and to that the answer is still somehow yes. Probably the best that the DCIThoughSheWasWithUniverse has to offer (with the glaring exception of _Wonder Woman_).

_Final rating:★★★ - I liked it. Would personally recommend you give it a go._
Zachary Levi is a hoot in this super-hero comedy reminiscent of the now classic Big with Tom Hanks. We get a solid first half, even two thirds, but why oh why do these movies almost always seem to revert to formula in the 3rd act? Been there, done that...
Second viewing and my feelings pretty much remain the same. Fun moments and Zachary Levi was very good in the leading role and although not terribly memorable, Mark Strong made for a fine villain, that said, some of the humor wasn't for me, although I did enjoy some of director David F. Sandberg's more horror-centric style shined through with the Seven Deadly Sins.

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Once Upon a time... in Hollywood is a movie that will air on 2019-07-25 which is 161 Minutes duration, will star Leonardo DiCaprio, Brad Pitt, Margot Robbie, Emile Hirsch, Margaret Qualley, Timothy Olyphant, Julia Butters, Austin Butler, Dakota Fanning, Bruce Dern. This film is genre Drama, Comedy, Action, Crime.
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is a site for free movies to stream Once Upon a time... in Hollywood online movies in HD quality. syinopsis this film A faded television actor and his stunt double strive to achieve fame and success in the film industry during the final years of Hollywood's Golden Age in 1969 Los Angeles. The movie isn’t for everyone, of course, but it’s a fun ride back to the past with fantastic performances, hilarious comedy and beautiful aesthetics. Tarantino is the one director in 2019 that can get huge names without people referring to his films as “that Leo film“, and I think that’s worth something whether you’re a fan or not. It’s rare for a film like this to be a mainstream release, and in the lacklustre year of 2019 I think it’s about time we got something in cinemas that's original.
- Chris dos Santos

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https://www.maketheswitch.com.au/article/review-once-upon-a-time-in-hollywood-another-tarantino-classic
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Quentin Tarantino is one of the best filmmakers of all-time. He has undeniable talent behind the camera, and his movies are fated to leave a mark in each year they’re released. In addition to that, he’s also an extraordinary screenwriter, as Once Upon a Time in Hollywood proves once again. His knowledge of the early decades of film is vast, so every feature he produces is always going to be filled with references to those “fairy tale” years. And that’s precisely what this movie is: a fairy tale in Hollywood, hence its title. Let me just leave this here right off the bat: I’m not going to address any controversy surrounding this film (namely, the whole Bruce Lee depiction and the Manson Family, in general), as I’m always fair and impartial to the movie I’m reviewing. Moving on …

My knowledge of the 60s isn’t that good. Obviously, I know the whole Sharon Tate story, as well as the famous Manson murders, but when it comes to actual films from that decade, well … Probably, I only know a few by name, a classic scene, or a memorable soundtrack. Tarantino uses his large runtime to place tons of references to that period, and that’s one of the reasons the first act of the movie drags. There’s a lot of time spent with characters just driving cars while listening to music (references in the songs), wide shots of the city as they drive by (references in the buildings), or even just playing an LP and dancing to it (reference in the songs, again).

I understand that these mean something, but if they don’t develop the character in any way, then these are just Easter Eggs and have no impact on the actual narrative. The first hour or so is filled with sequences which sole purpose is to show how much Tarantino knows about that time, and there’s nothing wrong with it, as long as it tells a story. That’s the second issue I have with the first act: it takes too long to establish its characters, and there’s no apparent objective within the story. It feels like a person just strolling around with no destination, which in itself isn’t a bad thing. But if you put together repetitive sequences plus a story that no one knows where it’s going or how it connects to the only thing people are actually expecting (the Sharon Tate event), then you’ll bore the hell out of the audience (a lot of people constantly left my theater to get more food or something, and they weren’t in a hurry).

Nevertheless, from the moment we start understanding who Rick Dalton and Cliff Booth are, what they do, what they did, and what they want with their lives, then the film becomes incredibly captivating. It’s definitely a character-driven story. It’s a fairy tale where Rick tries his best to overcome his own personal issues to be the very best movie star, after being on an exponentially negative path. Cliff, as his stunt double, lives off of his buddy by doing everything he needs around the house and everywhere else. These two are inseparable, and their scenes are always filled with laughter and joy, even in the darkest moments. OUATIH works because of its beautifully-written characters.

If you don’t care about them, then you won’t enjoy the film at all. In addition to this, if you don’t know anything regarding the art of filmmaking, then you’ll probably hate it since it will become extremely dull. It’s one of those movies that anyone can like. However, for someone who knows and understands how films are made, it will always be a better time at the theater. You can love this movie, sure. But if you love filmmaking and you have knowledge of its techniques, you’ll love it even more. There are so many technical achievements worthy of appreciation that I can’t get to all of them, so I’ll just address two of my favorites. The first has to be the black-and-white flicks inside the actual film. Putting Leonardo DiCaprio acting on classic westerns with over-the-top performances is an absolute delight. Watching those features in a 4:3 black-and-white screen, filled with classic sound effects, and cheesy one-liners … Wonderful.

The second allows for my favorite scenes of the whole movie: the extensive one-take dialogues. I mean, 10 or 15-minute sequences where DiCaprio just gives it his all. This is how every single film should be done. There’s even a joke in the movie where Rick criticizes a particular type of filmmaking because they would film every character separately saying their lines and then editing them together. Unfortunately, that’s how most features are done today. Therefore, from watching a simple dialogue scene with DiCaprio and Julia Butters (a 10-year-old little girl!) to a bar sequence which belongs to a movie Rick is filming (this one even has Rick asking his lines, and the camera has to go back to its starting point), everything with no cuts whatsoever … What can I ask more from a director?!

Obviously, if this is a character-driven narrative, the cast has to be genuinely compelling. Leonardo DiCaprio, Brad Pitt, Margot Robbie … I mean, do I even need to explain how phenomenal they are? DiCaprio proves once again he’s one of the greatest actors of all-time. The ability that he has to put 200% in every single scene is unbelievable. I even started to tear up once his character is able to find his footing, solely due to the actor’s performance. The Oscar nom is guaranteed, let’s see about the win. Brad Pitt also has tons of nominations on his lap with an astonishing supporting display. He has a subtle performance, but it’s pretty incredible how much he can transmit to the audience by putting (apparently) so little effort. Margot Robbie doesn’t have that much screentime, but her character had the simple objective of showing how glamorous and dreamy an actress’ life could be at that time, so she didn’t exactly need to deliver her A-game.

It’s always good to see Al Pacino (Marvin Schwarz) on-screen, and I’m thrilled that Margaret Qualley (Pussycat), who I know from The Leftovers (one of the most underrated TV shows of the century), is finally getting some recognition. Technically, like I said above, it’s close to a masterpiece. It’s Tarantino, everyone knows what he’s capable of, but having in mind his most recent features, it’s a pleasant surprise and evidence of quality to the naysayers that he was able to produce a film with less bloody action. There are terrific demonstrations of great cinematography (Robert Richardson), and the editing is always impeccable in Tarantino’s features (this time due to Fred Raskin). The score is addictive, and it carries a very significant role in the movie. I would say that if Tarantino was able to shorten its runtime and control its pacing better, this would be a technically perfect film.

All in all, Once Upon a Time in Hollywood isn’t the best Quentin Tarantino’s movie, but it’s undoubtedly one of the year’s best. Filled with award-winning lead performances (second Oscar for DiCaprio, please), this character-driven story is packed with references to the 60s which will be the divisive point in whether people will enjoy the film or not. Its first act is slow and takes too long to set up its story, but from the moment it’s able to find its footing, it’s an entertaining ride. If you love filmmaking and you know the insides of the art, Tarantino delivers a near-perfect technical production. Its alternate ending to real-life events is meant to be controversial, but for me, it’s a vision of how everything should have happened if the world was fair or, indeed, a fairy tale … in Hollywood.

Rating: A-
I'm not here to explain _Once Upon a Time In Hollywood_, just to enjoy it.

_Final rating:★★★★ - Very strong appeal. A personal favourite._
***Tarantino’s revenge on the Manson psychos***

In the late 60s, Rick Dalton (Leonardo DiCaprio), a popular TV Western actor, finds his career taking a downturn and tries to recover with the encouragement of his kick-axx stunt double and best friend, Cliff Booth (Brad Pitt). Sharon Tate (Margo Robbie) & Roman Polanski are neighbors with Jay Sebring always hanging around (Emile Hirsch). Meanwhile the Manson Family nutjobs are lurking in the background, prepping to attack.

“Once Upon a Time… in Hollywood” (2019) is Quentin Tarantino’s 9th full film and, for me, ranks somewhere in the middle of his oeuvre. It may not be as great as “Pulp Fiction” (1994) and “Django Unchained” (2012), but it places well with “Inglourious Basterds” (2009), “Jackie Brown” (1997) and “The Hateful Eight” (2015).

A famous director once succinctly defined a great movie as such: Three good scenes, no bad scenes. While the second part of this definition is debatable with "Once Upon a Time... in Hollywood,” seeing as how the movie could've certainly been tightened up (there are some dull sequences), there's no doubt that it fulfills the first part.

My three favorite scenes are: The amusing satirical Bruce Lee confrontation; the great Spahn Ranch episode, which effectively creates an underlying sense of menace; and, of course, the entertaining hippie attack in the final act.

Thankfully, there are numerous additional gems: The friendship and respect of Rick and Cliff; the audacious flamethrower sequence; Rick's breakdown with the precocious girl actor (not actress); the beautiful women throughout; the great cast, including several celeb cameos; the entertaining soundtrack; Brandi, the pit bull; Rick's meltdown in his trailer; Rick finally pulling off a quality acting scene via ad libbing; George Spahn not remembering Cliff; everything (surprisingly) turning out to be precisely as so-and-so said; the allusion to what MAY have happened to Cliff's nagging wife (Rebecca Gayheart) on the boat; the way it should have turned out on that infamous night; and the heartwarming close,

The film runs 2 hour, 41 minutes, and was shot in the Los Angeles area.

GRADE: A-

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